Explain how the intellectual contexts of Berkoff and Wolf determine their portrayal of the billhook of Agamemnon. In text one, Berkoff’s portrayal of Agamemnon, Clytemnestra and Cassandra support his existential philosophy through his reducing of the play to being a get hold of of sexual politics through language. This is displayed through Clytemnestra’s vocal confronting questions ‘What are you thinking/of her? Was her body nice to touch/did it sweet you/softly/comforting/did you break your rock hard…’ top a less conservative, cynical and objective way of visual perception sexuality. This evident collapse of marriage/religious morality and stick up of individualism/ consumerism mean objectification of sexuality in the play. The relationship amid Clytemnestra and Agamemnon is reduce to a dysfunctional marriage for empathetic companionship with the reference so that the audience can see from Berkoff’s positioning on the re ality of the meaninglessness of the world. The chorus presents the ultimate in ‘bad faith’ ‘no curse here(predicate)…clean metropolis…Agamemnon’s city’ becuaase they identify with the solid ground’s state uncritically.
In text 2, Wolf’s pic of Cassandra helps support her feminism beca utilize she expresses her feminist views through the heroine Cassandra. Her determination of condescending adjectives ‘whimpering, spewing Agamemnon’ contrasts with her affirmative adjectives ‘for I derived joy from everything I proverb – joy, not h ope!’ enforcing her belief that women ! has the strength and are more(prenominal) pucka than men as women are like the lifetime strength whilst men are just related to struggle and death. The phrase of ‘prophecy’ in ‘Why did I urgency the pay of prophecy, come what may?’ is used as a symbolization for female autonomy and own individual perspective. These two texts charge that the female characters are quite similar in the aesthesis that they are the more...If you want to get a adequate essay, revision it on our website: BestEssayCheap.com
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