Human Landscapes From My Country By Nazim Hikmet, `technology Vs. Nature`

[Name of Writer][Name of Professor][Course Title][Date] hu manhood beings Landscapes from My Country by Nazim Hikmet , Technology vs NatureIntroductionIn the Epic unfermented , compassionate Landscapes from My Country , Nazim Hikmet enjoymentd the comparison between engine room and tempera workforcet very much . The imagery of engineering that is demoed in this novel awaits to clash with nature Through the use of legion(predicate) dissimilar images such as the train and plane Hikmet take cargons to demo engine room as the antagonist of nature . These imageries pop the question how applied science would destroy and would annihilate nature with its surround as engine room progresses . However , after(prenominal) a ne arr reading into the novel , Hikmet actually suggest that technology as a dogmatic aspect that w ill ultimately ameliorate gayity lives . perchance sacrifices and mistakes argon prerequisite as these ar subjective occurrences that atomic number 18 expected to happen as technology progresses . Although the hail of technology whitethorn be to be dreadful , it is a necessary step for the ruin future of military man livesLiteratureContemporary taradiddle on a panoramic scale is taken up in Human Landscapes , which was written during the author s prison long time exclusively was only published several years after his termi tribe . Beginning with the project for an epic study of Turkish hi composition during the 20th century , at intervals the poet s story also turns to major(ip)(ip) up to nowts in adjoining regions , nonably naval action of foot War II in the Mediterranean and the work of Soviet forces against Nazi invaders . His commentary on the Turkish War of discontinueorse (1919-1922 ) stands in stark contrast to the heroic subject themes repeatedly invoked by other of that period . In Hikmet ! s heap , it would seem that the tribe as a self-colored contri onlyed to final comfort nevertheless only through an inchoate mass procession that did not also lead to a social rotary motion . Indeed , many passages suggest that class differences remained acute further were altered by Turkey s changed status in the valet thrift . in that respect are a number of give notice sketches of individual lives , both from the smashed and from the lower s , frequently to state unpleasant truths astir(predicate)(predicate) the people s living billet . several(prenominal) characters , it is recorded , died of disease at early ages farthestmers carry their province but lost all means of doing . Many of the personages are war veterans from matchless conflict or another . There is much attention to dates , but not in the sensory faculty of commemorating events with patriotic connotations important occurrences in individual lives are accorded the same emphasis as major deve lopments in the nation s historyThere is also a fair fall of random , evidently senseless violence Family quarrels lead to slaughter after a man kills his wife , children use the extend as a ball in a black game . A wrenching , gripping scene records the lynch of a Turk who had collaborated with the British occupation forces . There are round sardonic spectral references which call to mind folk superstitions in some ulterior passages , Turks of a pro-German inclination speculate about whether Adolph Hitler could be a Muslim . Leading Turkish statesmen and thinkers icon as portraits on the walls of business offices the memories associated with them are quirky bits of passage that are far from flatteringThe work as a whole darts about and circumambulates historical epochs as they affected different , indeed opponent , social classes . afterwards nearly xv years of national independence , homeless and desperately hungry(p) men are to be tack outside a news office if wealt hy businessmen cannot turn a profit in some branches ! of the export trade , because of presidential term restrictions , they move quickly to other sectors where their fortunes can be increase . Some of them end up dealing with both the affiliate and the Axis mightinesss during sphere War II . The incidence of felo-de-se on either side of the class divide is slightly high among the lamentable childbirth is difficult , painful , and sometimes ends in calamity Although this exercise in historical realness , based on the author s own observations of Turkish sustenance , does not seem to hold out any straightaway hopes for a damp future , the poet s s of nature and straightforward joys serve to rise an otherwise grim and unsentimental saga (Des Pres 7-25Written in free versify and employing such cinematographic techniques as flashbacks , pans , zooms , dissolves , and jump cuts , Human Landscapes from My Country combines the economy of poetry with the rapid-fire imagery of motion pictures . Hikmet traces the fortunes of me n and women in respect and war -- from prostitutes , politicians , and captains of industry to housewives , governmental prisoners , and peasants -- and gives phonate to social strata inaudible from in a heroic context of use until the twentieth century . To Hikmet , every liveliness is a human-interest story worthy telling and his is a cast of hundreds .

This panoramic view of Turkish society during World War II , when the depute of the field hung in the balance highlights the compelling variety of human meet , never letting us forget that , for emend or worse , the fate of the world is in our handsHikmet s unembarrassed communistic politics , for which he! languished in prison or evict most of his adult life , are reflected in vignettes of idealise Ivans of soldierly valor and of real-life heroes Tanya the teenaged Russian new and the Nazi-martyred journalist Gabriel Peri Still , the poet s most profound sympathies lie with the poor man striving to sustain himself and his family in pursuit of a zip happiness . Living out prolonged parturiency for political activities dreaming of his wife and child as cecity threatens and age buy the farm years , unbowed Halil recalls the poet s own power , a cynosure of what an entire culture was forced to endure . last Hikmet s art suggests spaciousness , a grandeur in the internal information of poor people seeking just to let loose spell events portend an invidious recurrence of suffering for passion , rivalry , misfortune--for living . Finally available complete in side , Hikmet s hauntingly eloquent masterpiece never flagsHuman civilization and technology has heavy(p) in a fas t pace but are we happy ? Hikmet said that he feels life is more(prenominal) at rest . Nobody said that life has become happier . We found that technology which has been developed to sustain life easier has in circumstance do life complicated and busier . He said that contrasted the away , now he can travel from choose to behind in few minutes /hours but life has become busier . Communication has improved , technology has taken place in our lives but effective communication between people has decrease . We were all alarmed to face this fact that better technology doesn t mean happiness . So is technology , alternatively of liberating us , holding us backSome later segments of this work are basically similar to portions of The Moscow Symphony and Other Poems , an inventive melodic reconstruction of German-Soviet fighting which in the startle type was in all likelihood based upon news stories that Hikmet certain in prison . After allowance for the different languages , it may be argued that some passages would do credit! to a Soviet wartime poet : the anxiety of the war s first year , the vast human drama of armies locked in rubbish , and the camaraderie of soldiers brought together in common struggle are evoked in resilient , telling linesThis novel in verse , written during one long prison reprove in the 1940s , reflects the excited and physical torments the poet experienced . more gritty than lyrical , it is strongly plainspoken But Selim was no Communist / He didn t even know what communism was .But the cops theme different / They placed Selim on the floor . And when Selim got up / he couldn t step on his feet / They laid Selim on the floor / And when Selim got up / he couldn t see Hikmet s constitution is poetry under siege , and the blunt heroism of his characters makes them more Marxist ideals than believable human beings . The poetic element may not survive easily in translation , but the content and context make this a lastingly enthralling workWorks CitedDes Pres , Terrence . Poetry and Politics : The pillow slip of Nazim Hikmet Parnassus : Poetry in Review 6 , no . 2 (1978 : 7-25Writer s Name paginate 1 ...If you want to get a full essay, social club it on our website: BestEssayCheap.com

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